Cameron McLeod Martin
Qualities of Light
A day is an experiment in living.
Often experiments fail. Sunup, shadows
lengthening, shadows shortening, sleep.
Monotony, bleakness. Bad method-
ology, bunk analysis, confirmation bias.
Deadlines, disappointments, labor.
Not only bleakness, not only monotony.
Eating, drinking, even pissing, even
shitting, even pushing the vacuum
back and forth slowly across the ugly carpet
can be beautiful. Neither ode nor elegy,
essentially. It is worth further investigation,
asking other questions. It is good to
not become deluded, too jaded, entirely
disabused. Good to phone a friend. Try
again. It’s all about the angle of approach.
Not “all about,” not all about
anything at all, but it matters, I swear
it matters how you hold a thing, how
you turn it in the mind, which facet you bring
to the light. Which you bring the light to.
Qualities of Light
I bought a headlamp so I
could read in bed at night,
but it was too bright.
My eyes would ache and water,
looking at the page. I use it sometimes
to walk the dogs I sometimes
watch for a little extra money
at night, down streets
not lamplit well enough, waiting
for the dogs to
shit into my spotlight, trained
on some stranger’s yard,
so I can see well enough
to scoop it into one hand,
leash in the other, and walk it back
to someone else’s home.
It came in a pack of two. I gave
the other to the brother of a friend
I’m not friends with anymore.
New year, different couch, same lonely.
It isn’t killing me
but I could go without.
I bought a lamp
on Facebook Marketplace
for fifteen dollars for
my bedside. It turns on
and brightens to the touch
but can’t get bright enough.
I put the wrong bulb
in the socket, an LED,
almost everlasting, its use
of electricity almost negligible, capable
of subsisting on so little. At its brightest,
when you’ve touched the lamp
three times, like you’ve
clicked your heels three times,
hoping to wake up again in
homely black and white,
which everyone seems to forget is
less like life than all that color,
the bulb loses its goddamned mind,
flashing like it’s having a seizure or like
it means to induce a seizure in someone.
It hardly matters, the quality of light,
though I like to tell myself it’s crucial,
that all would be well if it were
just right, oozing yolk-like through
windows over rooms and days,
books and furniture, golden and tender.
I end most days wrung-out by yearning
I’m too terrified to satisfy or look at
directly, tucked in a blanket in a box
in an economy in an ideology in
a moment in time that terrifies me
when I look at it directly. Even
for a second, or a moment,
a medieval unit of time
determined by light, shadow,
movement. Roughly ninety seconds,
though that is only an average, though
this is insufficient, all minutiae
and distraction, minor things
which share a common root
with minutes, the first small part,
sixty seconds, not even
a mere moment, in which time
everything could change—I want
a better world, better light, a better life—
though things tend to stay the same
or similar enough, absent intervention,
and almost never change
on time, as expected, with fanfare
despite the theater of the new year,
its spent fireworks lying
soggy on the water meter grate.